Judit Szendrei
Judit Szendrei’s artistic journey did not follow the conventional path of early immersion and formal training. She balances multiple roles—an economist by profession, a mother of three, and an artist who discovered her creative passion later in life. While art had always intrigued her, it wasn’t until a seemingly simple activity with her daughter Zsofi, who has Down syndrome, loved soaking and drying postage stamps, turning it into a shared pastime. Over time, an extensive collection of similar stamps accumulated, prompting Szendrei to experiment with arranging them into shapes and patterns. What began as a casual activity soon transformed into a deeply fulfilling practice, bringing her both tranquillity and the thrill of crafting something visually striking.
Szendrei’s work resists easy categorization. It intersects the boundaries of collage, mosaic, and montage, resulting in a technique she refers to as “MoCoMo by Stamps.” Unlike many artists who work within a consistent thematic framework, Szendrei embraces fluidity, ensuring that each piece remains a singular expression, unbound by recurring motifs. However, colour plays a unifying role in her portfolio—her works are often strikingly vibrant, composed of countless individual stamps that come together to form intricate visual symphonies.
What I create is a truly distinctive form of art, as I believe there are fewer than ten individuals worldwide who utilise stamps to craft their artistic pieces. This technique blends elements of mosaic, collage, and montage, which I have affectionately dubbed MoCoMo Art by Stamps. I take great pride in having developed this style independently. My journey in art has evolved from a simple hobby into a full-fledged passion, as I balance my role as an artist with my career as an economist. At times, the stamps themselves inspire the concept for a painting, while in other instances, I channel my thoughts and emotions through stamp painting. I enjoy reinterpreting the ideas of fellow artists in my work, but I also strive to convey my perspectives on significant themes such as war, peace, and human connection.
Creating art fills me with an extraordinary sense of joy, and I aspire to share that joy with everyone who experiences my pieces.
Tower of Babel, 2015, painted by stamps on board, 49 x 69 cm
Trojan Horse, 2017, painted by stamps on board, 74 x 51 cm
Warhol Variations, 2019, painted by stamps on board, 46 x 30 cm
On the Operating Table, 2021, painted by stamps on board, 60 x 60 cm
Hommage á Vasarely, 2023, painted by stamps on board, 63 x 63 cm
Year of the Dragon, 2023, painted by stamps on board, D = 130 cm
Chess to the power three/Ding Liren Ian Nepomniachtchi, 2023, painted by stamps on board, 32 x 32 cm
Dance of Butterflies, 2024, painted by stamps on board, 57 x 74 cm
The Nine Muses, 2025, painted by stamps on board, 79 x 30 cm
Tulips Remembering to my Mother, 2025, painted by stamps on board, D = 56 cm